From Bowdler’s Shakespeare to Puffin’s edited Roald Dahl, publishing has often chosen to smooth away awkwardness rather than explain it. But sanitised texts, missing credits and silent rewrites do more than tidy the past — they erase evidence, authorship and the people who made books possible.

A bestseller is not a successful book. It is a measurement. When two million people buy the same novel in the same decade, they are not all responding to the prose style, or the plot, or the cover. They are responding to something the book supplies that ordinary life, in that particular decade, is withholding. The sales figure is evidence of a specific collective hunger. And if you know how to read it, it tells you more about a society than most official records.

The Bologna Children’s Book Fair isn’t just an event — it’s where global children’s publishing decides what survives. From instinct-driven acquisitions to geopolitical tensions, here’s what really happens behind the scenes — and why, even in 2026, nothing has kept the industry away.

Before AR became a buzzword, I built interactive children’s books using webcams and printed pages. Here’s what worked, what failed—and why the market wasn’t ready.

What happens when decades of creative labour are repackaged as “the start of an idea”? An industry explainer on attribution, acquisition-led growth, and why visible human authorship matters more than ever — especially in the age of AI.

Colouring-in can be calming and good for control — but it’s not the same as drawing. Drawing builds thinking, memory, language and confidence. Here’s a plea for “beyond the line” creativity (plus easy ways to encourage it)

John Baskerville made books that gleam like jet on porcelain — and insisted on being buried standing up. From japanned snuff-boxes to the Cambridge Bible, from wove paper to sharp transitional type, here’s a brisk, book-trade tour of the printer who annoyed London, dazzled Franklin, partnered Mrs Eaves, and prepared the public for Didot and Bodoni.

Why does France defend authors while Britain backs “innovation”? The answer lies in two centuries of cultural philosophy: France treats creators as custodians of national identity; Britain views them as participants in a market. As AI reshapes publishing, these old instincts have re-emerged - with profound consequences for anyone who makes books.

Whether you dream of writing a picture book, an adventure novel for eight year olds, non-fiction or a chapter book series.

What happens when a publisher decides the creator of a book no longer matters? When authorship becomes an inconvenience and branding takes centre stage? This article explores why the corporate strategy of erasing origin stories is not just ethically questionable—it’s commercially short-sighted. Books aren't toothpaste. And readers, as it turns out, have very long memories.

The business of books in Britain has transformed dramatically from the 1970s to today. The UK publishing industry of the 1970s would hardly recognise itself in 2025. Back then, cigarette smoke filled offices in London’s West End handled typewritten manuscripts delivered by post to a business dominated by gentlemanly agreements and a fixed book price system.

In 1495, Gutenberg’s printing press rewrote the rules of power, religion, and knowledge - fueling revolutions and reshaping Europe.

One still lives by the pitching of ideas and editorial meetings, perhaps dog-eared manuscripts in canvas bags are long gone.

This no-nonsense guide isn’t here to sell you a dream. It’s here to help you navigate the reality of freelancing.

Travel back to the 1980’s to look at my approach to making non-fiction books for children from the initial concept to publication.

We’ll explore the secrets to writing Christmas stories for children, with practical tips, a list of inspiring examples.

Specialised jargon and acronyms have become deeply embedded in business communication, evolving as industries and technologies advance.

There are many tools out there that it can be overwhelming. I will take you through some of the best software options for designing a children's book to kickstart your creative process!

To create interactive e-books for children, start with a well structured story, and integrate audio narration, animations, games, and sound

A Beta reader is an English term from the information technology and software industry, where beta testers attempt to identify problems in a