Excerpt:When Spitting Image turned Britain’s favourite bear into a foul-mouthed drug addict, StudioCanal’s lawyers reached for the marmalade jar. This isn’t just about taste — it’s a legal showdown between parody and property, politeness and profit. Meta description:StudioCanal’s lawsuit against Spitting Image over a cocaine-addled Paddington Bear puppet tests the limits of parody, copyright, and brand protection in UK law.

Horror books occupies a unique place on a children's bookshelf, a genre in which fear isn’t just for scares, but an invitation to emotional discovery, bravery, and empathy. I was spooked by stories in the dark: under the blankets with a torch, the delicious tension of not knowing what might happen next.

The rise of AI-generated 'slop' books on Amazon hasn’t broken publishing—it’s simply exposed the fault lines that have been there all along. If we’re serious about defending authorship, we need more than polite concern. We need credits, clarity, and structural accountability - across the board.

Unlike many careers in publishing, the path to becoming a literary agent is rarely linear, and seldom advertised. It’s a role more often grown into than applied for, shaped by instinct, connections, and a passion for reading and for books. Entry routes vary widely: some agents started as agency assistants, others moved across from editorial, bookselling, or publicity. But all develop a finely honed sense of what sells, and a deep familiarity with the publishing marketplace.

Look into the world of school stories, from Billy Bunter's misadventures to the classic tropes that still govern the genre. Whether it's overcoming a monster or going on a quest, these narratives hold more than just nostalgia—they hold the keys to understanding class, morality, and personal growth in fiction.

When Amazon withdrew a string of unofficial biographies of SNP politicians riddled with false claims, it exposed more than one publishing scandal. In an era of AI-generated misinformation, author anonymity, and disappearing credits, how do readers know who to trust? This article explores the new Wild West of publishing — and what parents, teachers and librarians can do about it.

Ladybird Books taught generations of British children how to read, but the story behind the logo is richer, and more surprising, than you might think. From wartime printing hack to educational empire to bestselling adult spoof, here’s the full Pulp History.

Notorious Autobiographical Fantasies. When truth becomes a plot device… Who is who? Autobiographical Fantasies Memoir is supposed to...

It’s almost poetic: a trauma memoir that ends up traumatising the publisher. Because when a story like The Salt Path begins to wobble, it’s not just the author who falls. The editors, the marketers, the readers—all are caught in the collapse of a narrative sold as unflinching truth. This is the soft lie of emotional truth—and publishing has been complicit in making it a genre.

Whether you dream of writing a picture book, an adventure novel for eight year olds, non-fiction or a chapter book series.

Publishing loves a good diversity panel. But behind the scenes, creators are quietly being erased. If we don’t protect credits, are we building legacy— or theatre?

When I began work on The Secret Journal of Victor Frankenstein on the Workings of the Human Body, I wasn’t just adapting Mary Shelley’s classic, I was exhuming it. Shelley, who died in 1851, had no idea her cautionary tale about ambition and monstrosity would spark not just horror films, Halloween masks and bolts-in-the-neck clichés, but an entire mythology. I imagined Victor Frankenstein not as a mad scientist, but as a curious, obsessive student doctor scribbling anatomical

The Net Book Agreement kept UK book prices fixed for almost 100 years, allowing local bookshops to thrive and publishers to take risks. But in 1997, it was declared illegal. Was it outdated protectionism - or a cultural safety net we didn’t realise we needed?

From a speakeasy basement in 1920s New York to a marble-and-brass editorial fortress in Berkeley Square, Reader’s Digest defined 20th-century publishing. I began my career at their London offices in 1979, and watched as the world’s most widely read magazine rose, thrived, and slowly faded. This is a story about illustrated books, prize draws, fine art, forgotten founders, and a publishing ethos that might just deserve a second look in today’s AI era.

AI is no longer a whisper in the wings of publishing - it’s centre stage, and the script is changing fast. From manuscript polishing to audiobook narration and translation, AI is reshaping the entire industry. But while publishers and authors wrestle with questions of ethics, copyright, and consent, one name seems to be quietly storming the stage with barely a whisper of protest: Amazon.

What happens when the biggest names in children’s books didn’t write them? This blog unpacks the ethics of celebrity authorship, ghostwriters, and rebranded classics.

Whether you’re dreaming of your book being read at bedtime or shared in classrooms across the UK, remember: it’s all about the story.

The Beano and Why Comics Matter Comics have long been the secret weapon of children’s literacy - visual storytelling that hooks reluctant readers, fuels imagination, and delivers complex ideas with clarity and humour. For me, The Beano was not just a comic; it was a portal to mayhem!

Why are publishers rewriting Roald Dahl instead of commissioning new authors? In a world where even the Roman army wasn’t just white and italian, isn’t it time to stop recycling the past and start publishing the future?

New reports reveal a troubling decline in children’s reading for pleasure. Fewer children are being read to, and reading is increasingly seen as schoolwork—not joy. From misused reading programmes to celebrity book distractions, we urgently need a smarter, more joyful approach.