There has never been an easier time to enter publishing — or a harder time to be noticed. Micro-publishing, print-on-demand and digital tools have lowered the drawbridge, but they have not removed the moat. In an age of AI slop, the new independent publisher must become gatekeeper, editor, designer, curator and provenance-keeper.

Before Amazon and algorithms, children’s book clubs brought curated, affordable books into homes, schools and workplaces. From Puffin Post to Red House catalogues, this is the story of a vanished reading culture.

Is coincidence fate, pattern, or just the story we tell ourselves? In this interview, Patricia Borlenghi discusses A Book of Coincidences — her literary memoir about memory, identity, and the serendipitous moments that shape a life — alongside publishing, belonging, and what it means to live between two cultures.

The Bologna Children’s Book Fair isn’t just an event — it’s where global children’s publishing decides what survives. From instinct-driven acquisitions to geopolitical tensions, here’s what really happens behind the scenes — and why, even in 2026, nothing has kept the industry away.

Auteur is not a pretentious relic. It is a lost word of precision — one that distinguishes vision from branding, authorship from automation, and human intention from machine output. In an age of infinite content, clarity matters. David Salariya

In 1961, Billy Bunter left Greyfriars and headed for Butlin’s. It sounds absurd—but this curious crossover reveals a moment of marketing brilliance, class collision, and cultural change in post-war Britain.

Colouring-in can be calming and good for control — but it’s not the same as drawing. Drawing builds thinking, memory, language and confidence. Here’s a plea for “beyond the line” creativity (plus easy ways to encourage it)

Publishing leaders offer predictions for 2026—AI, audio, BookTok, the Year of Reading. But what if we treated them like Roman chicken-liver omens: not certainty, but judgement? An essay on the real signs, the contradictions, and what growing up might look like for the trade

John Baskerville made books that gleam like jet on porcelain — and insisted on being buried standing up. From japanned snuff-boxes to the Cambridge Bible, from wove paper to sharp transitional type, here’s a brisk, book-trade tour of the printer who annoyed London, dazzled Franklin, partnered Mrs Eaves, and prepared the public for Didot and Bodoni.

Why is the Society of Authors criticised for neutrality while authors feel increasingly unsafe? Because publishers have abandoned cultural leadership. This blog explores how consultancy thinking, risk avoidance, and corporate amnesia have left the SoA carrying the weight of an industry too timid to defend its own creators.

Why does France defend authors while Britain backs “innovation”? The answer lies in two centuries of cultural philosophy: France treats creators as custodians of national identity; Britain views them as participants in a market. As AI reshapes publishing, these old instincts have re-emerged - with profound consequences for anyone who makes books.

Boarding school stories endure not because they were ever realistic, but because they offered a fantasy of order—where chaos was dormitory-sized, friendships epic, and growing up happened between cold showers and jam tarts.

Excerpt:When Spitting Image turned Britain’s favourite bear into a foul-mouthed drug addict, StudioCanal’s lawyers reached for the marmalade jar. This isn’t just about taste — it’s a legal showdown between parody and property, politeness and profit. Meta description:StudioCanal’s lawsuit against Spitting Image over a cocaine-addled Paddington Bear puppet tests the limits of parody, copyright, and brand protection in UK law.

Horror books occupies a unique place on a children's bookshelf, a genre in which fear isn’t just for scares, but an invitation to emotional discovery, bravery, and empathy. I was spooked by stories in the dark: under the blankets with a torch, the delicious tension of not knowing what might happen next.

The rise of AI-generated 'slop' books on Amazon hasn’t broken publishing—it’s simply exposed the fault lines that have been there all along. If we’re serious about defending authorship, we need more than polite concern. We need credits, clarity, and structural accountability - across the board.

Unlike many careers in publishing, the path to becoming a literary agent is rarely linear, and seldom advertised. It’s a role more often grown into than applied for, shaped by instinct, connections, and a passion for reading and for books. Entry routes vary widely: some agents started as agency assistants, others moved across from editorial, bookselling, or publicity. But all develop a finely honed sense of what sells, and a deep familiarity with the publishing marketplace.

Look into the world of school stories, from Billy Bunter's misadventures to the classic tropes that still govern the genre. Whether it's overcoming a monster or going on a quest, these narratives hold more than just nostalgia—they hold the keys to understanding class, morality, and personal growth in fiction.

When Amazon withdrew a string of unofficial biographies of SNP politicians riddled with false claims, it exposed more than one publishing scandal. In an era of AI-generated misinformation, author anonymity, and disappearing credits, how do readers know who to trust? This article explores the new Wild West of publishing — and what parents, teachers and librarians can do about it.

Ladybird Books taught generations of British children how to read, but the story behind the logo is richer, and more surprising, than you might think. From wartime printing hack to educational empire to bestselling adult spoof, here’s the full Pulp History.

Notorious Autobiographical Fantasies. When truth becomes a plot device… Who is who? Autobiographical Fantasies Memoir is supposed to...