From Bowdler’s Shakespeare to Puffin’s edited Roald Dahl, publishing has often chosen to smooth away awkwardness rather than explain it. But sanitised texts, missing credits and silent rewrites do more than tidy the past — they erase evidence, authorship and the people who made books possible.

Writing is no longer only something authors do. It is also something sold back to them through courses, critiques, webinars, mentoring, self-publishing advice and promises of access. This essay asks when publishing stopped merely selling books to readers and began selling the dream of authorship to writers.

When a phrase like "after careful consideration" is deployed, you're meant to hear moral gravity. What you're usually hearing is the soft click of a filing cabinet closing. David Salariya examines the pattern behind British publishing's quiet erasures — and the revealing moments when it suddenly moves at speed.

From Queen Victoria’s imagined love children to Princess Margaret’s speculative diagnoses, modern biographies are increasingly blurring the line between storytelling and speculation. But why are journalists letting them?