Auteur is not a pretentious relic. It is a lost word of precision — one that distinguishes vision from branding, authorship from automation, and human intention from machine output. In an age of infinite content, clarity matters. David Salariya

What does it mean to be “cancelled” in the modern world? Using the sudden professional disappearance of David Walliams as a case study, this essay examines how institutions withdraw, how language disguises erasure, and how individuals survive when their name, role, or legacy is quietly removed.

From David Walliams to The Salt Path, Kate Clanchy - and the moments when publishing suddenly acts fast When a phrase like “after careful consideration” is deployed, readers are meant to hear thoughtfulness, balance, and moral gravity. What they are usually hearing instead is the soft click of a filing cabinet closing. Here we have the gap between what publishing says it is doing - and what, with remarkable consistency, it actually does. It is not about guilt or innocence. I

Why is the Society of Authors criticised for neutrality while authors feel increasingly unsafe? Because publishers have abandoned cultural leadership. This blog explores how consultancy thinking, risk avoidance, and corporate amnesia have left the SoA carrying the weight of an industry too timid to defend its own creators.

Why does France defend authors while Britain backs “innovation”? The answer lies in two centuries of cultural philosophy: France treats creators as custodians of national identity; Britain views them as participants in a market. As AI reshapes publishing, these old instincts have re-emerged - with profound consequences for anyone who makes books.

A generation is arriving at school unable to speak. The UK faces a “Language Recession” — and until we restore talk, play and storytime, the reading crisis will deepen.

The Booker Prize Foundation has launched a £50,000 Children’s Booker Prize for ages 8–12 — with child judges at the table and 30,000 free books for those who need them most. Here’s why it matters, how it fits the National Year of Reading, and what schools, parents and publishers should do next.

Why does the white working-class education gap persist? From lost industries and early language delays to poor attendance and a shrinking reading culture, too many pupils are being failed before they begin. This blog explores the causes, and the practical fixes, that could restore dignity, skills and opportunity.

From Queen Victoria’s imagined love children to Princess Margaret’s speculative diagnoses, modern biographies are increasingly blurring the line between storytelling and speculation. But why are journalists letting them?

It’s almost poetic: a trauma memoir that ends up traumatising the publisher. Because when a story like The Salt Path begins to wobble, it’s not just the author who falls. The editors, the marketers, the readers—all are caught in the collapse of a narrative sold as unflinching truth. This is the soft lie of emotional truth—and publishing has been complicit in making it a genre.

Whether you dream of writing a picture book, an adventure novel for eight year olds, non-fiction or a chapter book series.

What happens when a publisher decides the creator of a book no longer matters? When authorship becomes an inconvenience and branding takes centre stage? This article explores why the corporate strategy of erasing origin stories is not just ethically questionable—it’s commercially short-sighted. Books aren't toothpaste. And readers, as it turns out, have very long memories.

The business of books in Britain has transformed dramatically from the 1970s to today. The UK publishing industry of the 1970s would hardly recognise itself in 2025. Back then, cigarette smoke filled offices in London’s West End handled typewritten manuscripts delivered by post to a business dominated by gentlemanly agreements and a fixed book price system.

New reports reveal a troubling decline in children’s reading for pleasure. Fewer children are being read to, and reading is increasingly seen as schoolwork—not joy. From misused reading programmes to celebrity book distractions, we urgently need a smarter, more joyful approach.

Book prizes used to be rare honours. Now they’re everywhere - from international juggernauts to niche gongs for every genre and age group. In this insightful (and slightly cheeky) blog, I explore how this prize culture reshapes publishing, boosts authors, powers marketing machines like The Bookseller, and raises the question: are we celebrating excellence - or just addicted to applause?

Learn how to write a children’s publishing press release that sounds human, not hysterical. Practical tips, common pitfalls, and why "thrilled" is the biggest giveaway of all.

One still lives by the pitching of ideas and editorial meetings, perhaps dog-eared manuscripts in canvas bags are long gone.

Dr. Elesa Zehndorfer is an award-winning leadership and academic researcher, consultant, TEDx speaker, and writer.

We’ll explore the secrets to writing Christmas stories for children, with practical tips, a list of inspiring examples.

Specialised jargon and acronyms have become deeply embedded in business communication, evolving as industries and technologies advance.