Illustrator/Author Jo Surman blends graphic flair, gothic imagination, and heartfelt storytelling. From picture books to middle-grade novels, she creates worlds steeped in colour, character, and curiosity.

Non-Disclosure Agreements in UK publishing protect trade secrets, manuscripts, and confidential deals — but they can also silence victims, bury scandals, and distort public narratives. Here’s how NDAs shape, protect, and sometimes poison the industry.

The rise of AI-generated 'slop' books on Amazon hasn’t broken publishing—it’s simply exposed the fault lines that have been there all along. If we’re serious about defending authorship, we need more than polite concern. We need credits, clarity, and structural accountability - across the board.

Unlike many careers in publishing, the path to becoming a literary agent is rarely linear, and seldom advertised. It’s a role more often grown into than applied for, shaped by instinct, connections, and a passion for reading and for books. Entry routes vary widely: some agents started as agency assistants, others moved across from editorial, bookselling, or publicity. But all develop a finely honed sense of what sells, and a deep familiarity with the publishing marketplace.

Look into the world of school stories, from Billy Bunter's misadventures to the classic tropes that still govern the genre. Whether it's overcoming a monster or going on a quest, these narratives hold more than just nostalgia—they hold the keys to understanding class, morality, and personal growth in fiction.

For Readers of Short Stories - and Writers Chasing the Magic of Compression (Beyond Neoprene) In the Beginning Was Six Words I’ve stood in the house where Ernest Hemingway was born, Oak Park, Illinois. An almost-too-respectable American home, perfectly preserved. You can still sense the stiff linen and maternal expectations. But what stayed with me wasn’t the legacy of the great man. It was a story from his childhood: how his mother dressed him and his sister identically, in

From Queen Victoria’s imagined love children to Princess Margaret’s speculative diagnoses, modern biographies are increasingly blurring the line between storytelling and speculation. But why are journalists letting them?

When Amazon withdrew a string of unofficial biographies of SNP politicians riddled with false claims, it exposed more than one publishing scandal. In an era of AI-generated misinformation, author anonymity, and disappearing credits, how do readers know who to trust? This article explores the new Wild West of publishing — and what parents, teachers and librarians can do about it.

Ladybird Books taught generations of British children how to read, but the story behind the logo is richer, and more surprising, than you might think. From wartime printing hack to educational empire to bestselling adult spoof, here’s the full Pulp History.

Notorious Autobiographical Fantasies. When truth becomes a plot device… Who is who? Autobiographical Fantasies Memoir is supposed to...

It’s almost poetic: a trauma memoir that ends up traumatising the publisher. Because when a story like The Salt Path begins to wobble, it’s not just the author who falls. The editors, the marketers, the readers—all are caught in the collapse of a narrative sold as unflinching truth. This is the soft lie of emotional truth—and publishing has been complicit in making it a genre.

Whether you dream of writing a picture book, an adventure novel for eight year olds, non-fiction or a chapter book series.

When I began work on The Secret Journal of Victor Frankenstein on the Workings of the Human Body, I wasn’t just adapting Mary Shelley’s classic, I was exhuming it. Shelley, who died in 1851, had no idea her cautionary tale about ambition and monstrosity would spark not just horror films, Halloween masks and bolts-in-the-neck clichés, but an entire mythology. I imagined Victor Frankenstein not as a mad scientist, but as a curious, obsessive student doctor scribbling anatomical

H.E. Marshall’s Our Island Story was once the go-to tale of Britain’s past, kings, queens, and glorious Empire. But in 2025, what kind of story do we really need to tell our children? This blog revisits the 2005 revival campaign and explores what a more inclusive, honest, and compelling national narrative could look like.

AI is no longer a whisper in the wings of publishing - it’s centre stage, and the script is changing fast. From manuscript polishing to audiobook narration and translation, AI is reshaping the entire industry. But while publishers and authors wrestle with questions of ethics, copyright, and consent, one name seems to be quietly storming the stage with barely a whisper of protest: Amazon.

What happens when a publisher decides the creator of a book no longer matters? When authorship becomes an inconvenience and branding takes centre stage? This article explores why the corporate strategy of erasing origin stories is not just ethically questionable—it’s commercially short-sighted. Books aren't toothpaste. And readers, as it turns out, have very long memories.

What happens when the biggest names in children’s books didn’t write them? This blog unpacks the ethics of celebrity authorship, ghostwriters, and rebranded classics.

The business of books in Britain has transformed dramatically from the 1970s to today. The UK publishing industry of the 1970s would hardly recognise itself in 2025. Back then, cigarette smoke filled offices in London’s West End handled typewritten manuscripts delivered by post to a business dominated by gentlemanly agreements and a fixed book price system.

Whether you’re dreaming of your book being read at bedtime or shared in classrooms across the UK, remember: it’s all about the story.

The Beano and Why Comics Matter Comics have long been the secret weapon of children’s literacy - visual storytelling that hooks reluctant readers, fuels imagination, and delivers complex ideas with clarity and humour. For me, The Beano was not just a comic; it was a portal to mayhem!